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WHAT THE CONSERVATORS SAY

The ink
that bites.

Much of the old handwriting in archives was written in iron gall ink.

A glass ink bottle and a feather quill resting on a sheet of blank cream parchment beside a small pile of oak galls on a wooden table
AI-generated image, not a photograph of a real person or place.

It was made from oak galls and iron salts, and it was prized because it would not wash away. The same chemistry that fixes it to the page also releases acid, which is why conservators around the world still study it.

BLUE-BLACKand burnt in

Check a page

Keep in mind

  • Galls plus iron
  • Darkens as it dries
  • Acid over time
  • A permanent ink with a price

THE SHORT ANSWER

Permanent by design,
corrosive by nature.

Four ingredients, one reaction.
It explains both the beauty and the damage.

INGREDIENTS

Galls, iron, water, gum

The most common recipes used oak galls, iron sulfate, water and gum arabic. Tannins from the galls react with the iron to make a dark ink.

How it was made

PERMANENCE

Etched into the page

Unlike carbon ink, which could flake off, iron gall ink etches the writing surface and cannot easily be washed off. That made it the favourite for parchment.

See the numbers

CORROSION

Acid in every line

The reaction also releases sulfuric acid. Over time it browns and weakens paper, and heavily inked letters can crack or fall out.

Check a page

A QUICK PAGE CHECK

How far has
the ink gone?

Conservators describe ink corrosion in stages. Pick what you can see on an old handwritten page to find the stage. The bar shows how advanced the damage is.

Page check

Choose what you see
A faint halo around the linesStage one

Haloes form around the inked lines. At first they show only under ultraviolet light, and later they become visible to the eye.

Writing shows through on the backStage two

The ink strikes through the paper and can be seen on the side opposite to the one written on.

Ink cracks when the page movesStage three

The inked areas crack whenever the paper is handled, so every touch risks more damage.

Letters have dropped outStage four

In the last stage the ink falls out of the paper entirely, leaving gaps where the strokes were heaviest.

Source: American Philosophical Society Library, The Ins and Outs of Iron Gall Ink (2021).

Based on conservation guidance from the American Philosophical Society Library. For valuable documents, ask an archive or a trained conservator before handling or treating them.

TWO NUMBERS WORTH KNOWING

Strong acid,
simple protection.

One figure on why the ink harms paper,
one on how archives slow it down.

1–3 pH

Typical pH of iron gall ink

Forming the dark iron-tannin complex releases sulfuric acid, so the ink is always very acidic. Acids shorten the cellulose chains in paper, making it brown and brittle.

ACIDITY · APS LIBRARY

< 60%

Relative humidity to stay under

With no definitive cure yet, the preferred way to prolong originals is a suitable environment, in particular relative humidity under 60%, plus careful handling.

STORAGE · SURREY HISTORY CENTRE

An EU-funded project, InkCor (2002 to 2005), found that the thickness of the ink layer, the density of the paper and the acidity of the writing material were the most important factors in a document's condition.

FOUR HABITS FROM THE ARCHIVES

Gentle hands,
steady air.

Archive advice for iron gall ink documents is simple and cheap. These habits come straight from conservation guidance, not from a treatment kit.

Gloved hands lifting a fragile sheet of aged paper with brown stains under a magnifying lamp on a conservation bench
AI-generated image, not a photograph of a real person or place.

Step 1

Keep it cool and dark

Surrey History Centre repeats the long-standing advice: cool, dark conditions slow the damage.

Step 2

Dry, but not too dry

Aim for relative humidity under 60%. Changes in temperature and humidity help the ink corrode.

Step 3

Handle as little as possible

Corroded ink can crack when the paper moves, so support the sheet and turn it gently.

Step 4

Leave treatment to experts

Washing and deacidifying badly damaged pages are specialist methods used by trained conservators.

FROM GALL TO PAGE

A wasp, a tree
and a jar of vitriol.

Round brown oak galls, sometimes called oak apples, growing on a leafy oak twig in soft daylight
AI-generated image, not a photograph of a real person or place.

Oak galls are the tree's reaction to wasps laying eggs. Soaked in water, wine or beer, they release tannins and gallic acid. Ferrous sulfate, once called green vitriol or copperas, turns them blue-black, and gum arabic helps the ink flow from a quill or a metal nib.

Fresh iron gall ink often goes on pale brown and darkens to a purplish black as it dries. Because people mixed their own, recipes varied, and inks with more iron than the reaction needed were prone to corrosion.

Questions

Questions on the way

How old is iron gall ink?

Sources differ on its start. The American Philosophical Society says it was developed in the 4th century, Surrey History Centre says it was in use before the 7th century, and the Library of Congress calls it the main Western writing ink from the 12th to the 19th centuries.

Why did scribes prefer it to carbon ink?

Carbon inks could flake off with damp and rubbing, especially from parchment. Iron gall ink bonds to the surface chemically and cannot easily be washed away, so it was treated as permanent.

Why does the writing change colour?

When first applied it is often light brown or sepia, then it turns purplish-black as it dries.

Why does it damage paper?

The ink is very acidic, with a pH of 1 to 3, and excess iron speeds up oxidation of the paper. Together they make paper brown, brittle and in the worst cases full of holes.

Can corroded documents be repaired?

Conservators have treatments, including washing in a calcium ammonium phytate solution and deacidification, but research continues and there is no definitive solution. Good storage and gentle handling remain the first line of care.

Destination

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